An innovative and amusing story that will appeal to owners of guinea pigs, children with newly acquired glasses, and anyone...
A guinea pig named Philomena requires prescription eyeglasses, setting off a competition with her sisters in the acquisition of fashionable accessories.
Philomena, the eldest of a trio of guinea pig sisters, finds she can see clearly with her new purple glasses. Younger sisters Audrey and Nora Jane want to keep up in matters of style, so they acquire sunglasses of their own. When Philomena buys a silver handbag to store her glasses, her sisters follow suit, and then all three acquire dresses, which prove to be uncomfortable. The three sisters jointly decide they don’t all need to wear the same items, with Philomena retaining her glasses and Audrey keeping her handbag to store lettuce for snacks. In a pitch-perfect conclusion, all rivalry is resolved—“until Nora Jane got a necklace.” This clever story of sibling rivalry is succinctly related in just a few sentences that effectively capture the competitive nature of the sisterly bond, even among guinea pigs. Delightful photographic illustrations show real guinea pigs with all their tiny accessories, from pink sunglasses and tutus to a sparkling rhinestone necklace. The guinea pigs and text are set against clean, white backgrounds that make the accessories pop and the three guinea pigs stand out as distinct characters.
An innovative and amusing story that will appeal to owners of guinea pigs, children with newly acquired glasses, and anyone with a sister. (Picture book. 3-7)Pub Date: Aug. 15, 2017
ISBN: 978-0-42-528814-6
Page Count: 40
Publisher: Viking
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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