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THE CLEANER

A formulaic thriller that serves up the action but is peopled by stock characters.

A lone “cleaner” is drawn into the action in this globetrotting debut thriller.

Jonathan Quinn usually enters the scene after the hit. A freelance “cleaner” who removes traces after high-end assassinations or espionage jobs, he has found himself increasingly working only for the shady governmental bureau known simply as the Office. This reliance makes him vulnerable. Still, he considers himself unaligned, so it is a shock when a massive attack, or “disruption,” on the Office includes an attempt on his life. Escaping with his green apprentice, Nate, to Vietnam, Jonathan discovers that he was actually a target. After another attempt, in Berlin, that takes Nate and nearly grabs his long-ago colleague and unrequited love, the beautiful Eurasian Orlando, he must go on the offensive, tracking down first the sadistic, scary Borko, then uncovering who is really trying to destroy the Office and unleash a bioterror virus. When Orlando’s son, Garrett, is kidnapped, the hunt becomes more personal and stranger still. Garrett’s father was Durrie, Jonathan’s mentor, and both he and Orlando had thought the older “cleaner” long dead, but evidence points to a complicated betrayal rooted in an imagined love triangle from years before. While Battles presents a complex plot and has a knack for mixing dialogue and action, this debut feels a bit paint-by-numbers. Only the cars, usually driven at high speeds, are described in detail, while exotic locales, such as Ho Chi Minh City, sound lifted from guidebooks, and too many characters, such as the desirable but elusive Orlando, remain ciphers. In fact, except for his lust for Orlando, which he unsuccessfully tries to quash, and his desire to remain alive, Jonathan himself barely seems to feel. While this is a professional asset, his changing circumstances would seem to demand something more.

A formulaic thriller that serves up the action but is peopled by stock characters.

Pub Date: July 3, 2007

ISBN: 978-0-440-24370-0

Page Count: 368

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2007

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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