An excellent addition to curriculums that tie scientific principles to cultural practices; the work should be embraced by...
A member of the Gitxsan Nation in British Columbia uses his singular perspective to craft this debut picture book about the life cycle and environmental impact of the sockeye salmon.
The narrative follows a sockeye salmon from birth to death, describing each phase of its life and culminating in the fish’s swimming upstream to spawn and die. While there is much literature about the remarkable migration of salmon, this tale succeeds in linking this natural phenomenon to the cultural practices of the Gitxsan and their interpretation of the seasons. The story also emphasizes the migration’s ecological importance. Readers are told that the small sockeye’s “life cycle not only nourishes the people and other beings along the watersheds, it is the whole reason the forests and landscapes exist.” The book is clearly written, and Huson is not shy about using a sophisticated vocabulary, supplementing many passages with definitions or explanations to help readers digest the information. In addition to the scientific terms, readers are introduced to Gitxsan words, phrases, and ideas (“New snow, which the Gitxsan call dalugwa”). The pictures by debut illustrator Donovan are beautifully rendered, reminiscent of ink-and-brush work, and make use of imagery from Pacific Northwest cultures. The book closes with a brief description of the location and practices of the Gitxsan, along with a map.
An excellent addition to curriculums that tie scientific principles to cultural practices; the work should be embraced by libraries to help educate readers about the Gitxsan.Pub Date: March 15, 2018
ISBN: 978-1-55379-739-5
Page Count: 32
Publisher: HighWater Press
Review Posted Online: Feb. 26, 2018
Kirkus Reviews Issue: April 1, 2018
Review Program: Kirkus Indie
A book about engineering notable mostly for its illustrations of diverse characters. (Board book. 1-3)
Babies and engineers have more in common than you think.
In this book, Alexander highlights the unlikely similarities between babies and engineers. Like engineers, babies ask questions, enjoy building, and learn from their mistakes. Black’s bold, colorful illustrations feature diverse babies and both male- and female-presenting adult characters with a variety of skin tones and hair colors, effectively demonstrating that engineers can be any race or either gender. (Nonbinary models are a little harder to see.) The story ends with a reassurance to the babies in the book that “We believe in you!” presumably implying that any child can be an engineer. The end pages include facts about different kinds of engineers and the basic process used by all engineers in their work. Although the book opens with a rhythmic rhyming couplet, the remaining text lacks the same structure and pattern, making it less entertaining to read. Furthermore, while some of the comparisons between babies and engineers are both clever and apt, others—such as the idea that babies know where to look for answers—are flimsier. The book ends with a text-heavy spread of facts about engineering that, bereft of illustrations, may not hold children’s attention as well as the previous pages. Despite these flaws, on its best pages, the book is visually stimulating, witty, and thoughtful.
A book about engineering notable mostly for its illustrations of diverse characters. (Board book. 1-3)Pub Date: Sept. 17, 2019
ISBN: 978-1-338-31223-2
Page Count: 24
Publisher: Cartwheel/Scholastic
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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