by Brian Alexander ‧ RELEASE DATE: Feb. 14, 2017
A devastating and illuminating book that shows how a city and a country got where they are and how difficult it can be to...
A journalist examines how corporate America and the politics enabling it have corroded an Ohio city to its very foundation.
Alexander (America Unzipped: In Search of Sex and Satisfaction, 2008, etc.) understands Lancaster, Ohio, as perhaps only a native can. He understands intuitively what the city long represented, the communal pride it sustained, and how the shattering of the social contract between industry and community has left it a crumbling shell. This isn’t an inherently political book, but those mystified by the election of Donald Trump could well start here. Though specifically about one city, as the author notes, “whatever had happened to Lancaster had happened everywhere else, too.” In 1947, amid the postwar boom, Forbes declared of Lancaster, “This is America,” devoting most of its 30th anniversary issue to the city as “the epitome and apogee of the American free enterprise system.” It was also one of the whitest and most homogenized cities in the country, one that owed much of its prosperity to the Anchor Hocking glass company, which employed many of its citizens and invested back into the community. As recently as 1990, Lancaster considered itself special, and Alexander remains glad and proud that he was raised there (in a family that worked in that glass industry). What happened? Plenty: big-box stores, competition from cheaper foreign goods, union busting and givebacks, bankruptcy and takeover by private equity outsiders with a “strip-and-sell” strategy, cheap Mexican labor, political corruption, flight of the well-to-do to cities that have yet to face such a collapse, and rampant drug dealing and addiction problems among those who remain. The author effectively interweaves the personal stories of those who have lived there and continued to with an analysis of Anchor Hocking and the policies that have made a few rich while reducing the many to hand-to-mouth subsistence or to prison on drug charges.
A devastating and illuminating book that shows how a city and a country got where they are and how difficult it can be to reverse course.Pub Date: Feb. 14, 2017
ISBN: 978-1-250-08580-1
Page Count: 336
Publisher: St. Martin's
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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