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HEAD WOUNDS

SPARROW

A superb noirish tale with otherworldly glimpses and a gruff, likable detective.

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A crooked cop inexplicably suffers others’ physical pain while hunting kidnappers in this supernatural graphic novel.

New Orleans cop Leo Guidry revels in his own seediness. He’s a perpetual drunk who steals and sells evidence and proceeds to have an affair with another cop’s wife. But lately, he’s seeing things he can’t explain, such as people who appear as glowing creatures. Things really take a turn when a fellow detective dies in the line of duty—a gunshot to the head—and Guidry suffers an identical injury simultaneously. Guidry survives with a hole in his head that never stops bleeding, though only he can see this dreadful wound. He doesn’t know what’s happening even as the detective’s apparent ghost materializes before him. Perhaps it’s time for this dirty cop to “settle up,” which he attempts to do by looking into the abduction of a drug addict. He later witnesses the same kidnappers grab a young Honduran man. Guidry tracks down the victims while facing an especially huge obstacle. When certain individuals suffer injuries, like a savage pistol-whipping, the detective feels the same thing and sees the results on his increasingly battered mug. Along the way, he encounters people he’s let down and deals with the guilt caused by the loss of his son. But his dangerous, graphically psychedelic journey seems to revolve around his choices that have hurt others and a newfound chance to clear his conscience. And Guidry soon realizes he’s only a small part of a much bigger fight and a much larger world.

Buccellato’s novel—based on a story by Robert Johnson and John Alvey—moves at the pace of a Hollywood action film. That’s hardly surprising, as it was also developed by movie producer Jason Spire and actor Oscar Isaac. Guidry is the quintessential world-weary detective hiding in a dark city’s squalid underbelly. As he sees more and more bewildering things, a mystery slowly creeps into the narrative that couples well with such familiar sights as cops chasing baddies. Despite his flaws, Guidry is an appealing hero who eventually strives to do what’s right. Most of the police, meanwhile, see him as a peculiar guy with “mummy bandages” pointlessly covering his head; they can’t see the bloody and bruised agony on his face that he and readers spot. No one else in the cast gets as much focus, though Suzie, Guidry’s paramour, stands out as a woman who craves an emotional connection. Some characters are intentionally enigmatic, from a biker gang to the truck driver transporting the abductees. Ward’s richly hued artwork complements this somber detective story with blue-gray nights and glaringly bright lights. But the most striking visual is Guidry’s head wound, as its mesmerizing blood floats in the air and sometimes even covers the panels with spatter. As to what’s going on, there are few answers until the final act rolls around. While the creators provide a good deal of clarity, questions remain, and it’s clear they have planned this as the start of a series.

A superb noirish tale with otherworldly glimpses and a gruff, likable detective.

Pub Date: Oct. 18, 2022

ISBN: 978-1-68116-090-0

Page Count: 120

Publisher: Legendary Comics

Review Posted Online: Sept. 28, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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SUPERMAN SMASHES THE KLAN

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.

Superman confronts racism and learns to accept himself with the help of new friends.

In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)

Pub Date: May 12, 2020

ISBN: 978-1-77950-421-0

Page Count: 240

Publisher: DC

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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ROMEO AND JULIET

From the Campfire Classics series

Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...

A bland, uninspired graphic adaptation of the Bard’s renowned love story.

Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).

Pub Date: May 10, 2011

ISBN: 978-93-80028-58-3

Page Count: 80

Publisher: Campfire

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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