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NINE SHINY OBJECTS

Memorable characters inhabit a surprising, engaging story of American idealism and its dark opposite.

An impressive debut novel tells a wide-ranging story of mysterious connections among vividly rendered characters in 20th-century America.

This novel’s nine chapters stretch across four decades at intervals of five years. Each has a different main character, and their settings crisscross the country. The book opens in 1947 with Oliver Danville, a “washed-up stage actor” and pool shark, who witnesses a friend’s murder and decides to change his life. When he reads a newspaper story about a military pilot who saw a group of UFOs, the “shiny objects” of the title, he’s galvanized by a vision of a better world. After a chance meeting with a farm family, Oliver takes off, farmer and wife in tow, for the West. Five years later, Oliver, now called the Tzadi Sophit, is the leader of a California cult that aims to create a multiracial utopia. In 1957, he and his followers move across the country into a newly built town adjacent to a Long Island suburb and are violently attacked by some of their neighbors. The echoes of that terrible night shape the main characters in the rest of the chapters: a young black man embarking on an intellectual life in Harlem, a salesman in Florida who makes a wild career change, a woman who hosts a conspiracy-theory radio show in Phoenix, another woman whose husband was the ringleader of the attack, a teenage girl whose grandparents and parents were targets of the attack, and finally an old man, the son of Oliver’s first followers, still on their farm and haunted by the ghost of his brother. Several characters recur, including Max Felt, who was a boy during the attack and grows up to be a rock star and something of a cult leader himself. Max and Oliver remain mysterious characters whose thoughts the reader has little access to, and the plot is built around mysteries as well—many chapters end in a cliffhanger without resolution. But Castleberry maintains deft control of the novel’s arc, making satisfying connections and bringing rich characters to life.

Memorable characters inhabit a surprising, engaging story of American idealism and its dark opposite.

Pub Date: June 30, 2020

ISBN: 978-0-06-298439-5

Page Count: 336

Publisher: Custom House/Morrow

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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