Breezy, space-based fun with well-executed character development.
In Corley’s SF novel, an alien prince is finally ready to assume his throne after abandoning his responsibility years before.
Prince Parrtec was once the heir to the intergalactic kingdom known as the Twelve but decided to fake his death and walk away from everything he knew in exchange for a wandering life of fun and freedom. Now he goes by the name Parr, living on his beloved ship, the Aurora, which is reputed to be one of the fastest ships in existence. He mingles with all sorts of people, including pirates and other criminals in “the outer reaches.” But now he feels that it’s time to go back and take his rightful place after his parents’ deaths—if he can get through the well-defended gates of his home system of Bilena Epso Ach. A business opportunity goes awry that could have helped him do so, and he finds himself banned for life from entering the gates. Parr needs a new plan, but he has no more funds, and with the galaxy’s most feared bounty hunter hot on his trail for reasons unknown, Parr will need all the help he can get—even if it means siding with Manc, an old pirate with shady motives, and Ren, a secretive and alluring figure. Will Parr ever make it back home—and if he does, will the new queen, his sister, welcome him back? Politics and romance intertwine in this fun space adventure that follows Parr around the galaxy as he ostensibly tries to make his way back to his throne. However, readers will find that Parr’s journey turns out to be one of personal transformation and self-discovery. Over the course of the novel, he loses his initial obliviousness and gains a deeper understanding of what it truly means to be the heir of a privileged family—who may, in fact, be tyrants. Corley, the author of Ghost Bully (2018), also effectively develops the story to show how Parr learns to trust people other than himself during his travels. Sadly, the protagonist’s tale ends too soon, but it offers an open ending that promises more adventures.
Breezy, space-based fun with well-executed character development.Pub Date: Oct. 13, 2020
ISBN: N/A
Page Count: 304
Publisher: Electric Fern
Review Posted Online: Aug. 13, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A well-written if elusive treat for fans of modern mythologizing.
In which the Angel of Death really wants to take a holiday.
“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream- and rust-colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).
A well-written if elusive treat for fans of modern mythologizing.Pub Date: July 23, 2024
ISBN: 9780593446591
Page Count: 352
Publisher: Del Rey
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
