by Brian Coughlan ‧ RELEASE DATE: Nov. 13, 2018
When Coughlan eases up on the cleverness and shows his heart, his unique imagination shines through—but unfortunately, this...
Very brief stories with an absurdist flair comprise this debut collection from Ireland.
Coughlan’s first book is full of men coming up on middle age who find themselves in bizarre circumstances. “Human Butterfly” features a company employee who decides to confront his office naked after being newly fired. In “Re-Union,” a husband and father must deal with a surprise nocturnal visit from some drunken school chums. The male protagonist in the distressing “Ill Conceived” falls pregnant from his wife and gives birth to an alarm clock through his anus. This latter detail gives a clear sense of where Coughlan’s humor lies, and when given the choice between writing from the heart or landing a pun, Coughlan will almost always choose the latter. (One story is called “Interview with a Campfire.”) Puns are not the only quirk of style here. The stories are heavily descriptive and lightly plotted. Sometimes this works, as in the opening story, “A Nuisance,” in which a teenage girl spends long paragraphs trying to kill a fly only to later find herself in a similarly hunted position in the car of an older man. Sometimes it creates stories that seem to be, like Seinfeld, about nothing, as in “Enhanced Forgiveness,” about a man who buys a new golf club and…goes golfing. With an average page count clocking in around 10, Coughlan’s stories, with their antic energy and over-the-top premises, can feel a little like the bumper cars he describes in the final story, “F-unfair,” “with a madman at the controls sending you head-first into a collision that will wipe the smile off the faces of everyone involved.”
When Coughlan eases up on the cleverness and shows his heart, his unique imagination shines through—but unfortunately, this happens too rarely here.Pub Date: Nov. 13, 2018
ISBN: 978-0-9987508-3-5
Page Count: 236
Publisher: Etruscan Press
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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