A rare and unusual book and a brilliant, mystical exploration of the human spirit.
Doyle (Mink River, 2010, etc.) sets off with Declan O'Donnell, he of "flinty soul" and "salty confidence," sailing along the 45th parallel across the wide Pacific.
In near stream of consciousness, wave upon wave of words tumbles out in long, beautifully rendered, description-packed sentences, running on and on, as Declan, captain of the Plover, "a roomy coffin," skims across water two miles deep and weighing "about eighty quintillion tons." The narrative is rife with allusions, symbolism and metaphor, as Declan first encounters the Tanets, a tramp freighter/pirate ship/smuggler captained by amoral Enrique. Declan next tires of 45th parallel weather, bears south and finds an isolated island. There, he's met by his Oregon friend, Piko, who knew Declan would stop there, even if Declan did not. Beloved wife dead of cancer, Piko boards the Plover with Pipa, his brain-injured, paralyzed daughter, who’s still "sending her large spirit out exploring in ways and realms she has not yet tried to explain." Pipa chirps, whistles and peeps, and birds flock to the little boat. The Plover is again stopped at sea by the Tanets. Enrique needs a navigator and shanghais Piko. Declan follows, rescues Piko, and then finds that Enrique’s mysterious, giant, androgynous crewman, Taromauri, has slipped aboard the Plover. Taromauri is searching for her sea-swallowed daughter. Shadowed by a single gull, "one of the thirteen...one of the shining ones," a spirit of life’s energy focusing on Pipa, the Plover’s crew gains a boy from northern forests; Tungaru is "minister for fisheries and marine resources and foreign affairs," exiled because of his utopian politics. After a fiery confrontation with the Tanets, Declan and company sail "[f]ree as air" on "[t]he continent of the sea."
A rare and unusual book and a brilliant, mystical exploration of the human spirit.Pub Date: April 8, 2014
ISBN: 978-1-250-03477-9
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 21, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
BOOK REVIEW
PROFILES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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