Abandoning the world of Redwall, Jacques's (Lord Brocktree, 2000, etc.) newest novel is a treasure hunt, preceded by a seafaring legend. Caught aboard a legendary doomed ship, The Flying Dutchman, a young boy endures cruelty and ill treatment under wicked Captain Vanderdecken and his evil crew. Joined by a black Labrador pup, our hero struggles to stay alive as the ship heads around Cape Horn. An avenging angel appears to condemn the ship to eternal struggle with the sea, but casts the two innocents aside on Tierra Del Fuego. The story really starts on page 76, several centuries later in 1896 England as the two come to save a village from being torn down and replaced by a quarry and cement factory, hence the search for needed documents. We get a hint that this adventure is one of many future stories for boy and dog as they eternally roam the earth fighting evil, helping good people to triumph. Goodness and intelligence are generally equated, as is criminality and stupidity. Characters are overdrawn, the plot equally melodramatic, and a certain tension is missing by knowing that our hero and his dog embody good and will live forever. The dog and boy communicate through thought transference, the dog often translating for other animals as well. For fans of Jacques, the length will be expected, the growth of the peripheral characters’ ability to stand up for themselves gratifying, and the murderous cruelty and evil of all the villains fitting them as valid opponents for avenging angel, boy and dog. The portrayal of the deeds of the evil captain and his equally horrible crew is vivid. It is the stuff of nightmares for the boy throughout the book, and readers may find it haunting long after the book is read. Victorian England's villains can't compare and are actually humorous, especially the London toughs called in as “frighteners.” Legend and magical elements enliven this melodramatic and sentimental tale, which will undoubtedly be beloved by Redwall fans. Zesty, but ultimately unsatisfying. (Fiction. 10+)
Pub Date: March 1, 2001
ISBN: 0-399-23601-5
Page Count: 327
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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