Buccaneers and privateers, Carib hunters with poisoned darts, killer sharks, fiends, angels, and insane Captain Vanderdecken of the ghost ship Flying Dutchman converge in this rousing second installment in Jacques’s Castaways of the Flying Dutchman (2001). Ben and his faithful black Labrador, Ned, the only two to escape Captain Vanderdecken’s doomed ship in the first volume of the series, return to sail with buccaneer Captain Raphael Thuron, the terror of the Caribbean. The immortal duo, who communicate telepathically, continue the mission of the Angel of the Lord: “to do good and help others wherever the need arose.” After swashbuckling adventures in the Caribbean and the sinking of Thuron’s La Petite Marie, Ben and Ned find their mission: go to France, rescue the nephew of Comte Vicente Bregon of Veron, and help Father Mattieu, Captain Thuron’s younger brother. Rescuing Adamo means entering the clutches of evil Maguda Razan in her caves in the Spanish Pyrenees, and a new round of adventures begins. Joining Ben and Ned are Dominic, the legendary Facemaker of Sabada, and Karayna, gypsy singer and accomplished pickpocket. Labyrinthine passageways, hideous tortures, the cobra-like Maguda, avalanches, and the help of new friends make this a faster-paced read than its predecessor. Jacques’s formula works well again. Readers always know who the good and bad guys are, and vivid language, larger-than-life characters, and multiple story lines yield a sprawling, epic tale. Anyone, young and old, who enjoys being immersed in big, romantic adventures, will love this series. Young readers hooked by Jacques’s storytelling magic in Castways and the Redwall series are destined to be readers for life. May his readers be legion. (Fiction. 10+)
Pub Date: March 1, 2003
ISBN: 0-399-23999-5
Page Count: 448
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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