From Jackson (The View From Here, 1996; Walking Through Mirrors, 1998): an intriguing and well-written look at the nature of...
Can a black southern preppie survive in Harlem?
Mason Randolph puts off entering Stanford Law School for a year and heads for Manhattan, where he spots an ad for a shared rental in a Harlem townhouse and beats out the competition when the very attractive owner favors him over the other applicants. Maybe it’s because he looks a little dangerous (but not too dangerous) in his twisted dreadlocks. Maybe it’s because he changed his first name to something slightly tougher, Malik, after the homies on the corner razzed him for acting like a Huxtable. He’s got a great place to stay; now all he needs is a job so he can buy himself some baggy jeans and a bubble coat and start earning some street creds. Not that he’s wants his overbearing mother to know he’s swilling malt liquor and living with an older woman. Fortunately, Carmen England, his elegant landlady, seems to know everyone worth knowing, including lots of artists and other louche types. Malik escorts Carmen to fascinatingly weird parties and in his spare time explores Harlem. He ventures as far as Columbia University, where he befriends law student Malcolm, whose struggling single mother dishes up food in the university cafeteria to pay for his tuition. Malcolm’s friend Kyra is sexy and sassy—and Malik knows her heart surgeon father isn’t going to be impressed by a good-for-nothing drifter with a worthless credit card. He can’t decide which story to tell, and gives away too many clues to his real identity. Some of his new friends are simply too amoral to care—reinventing yourself is what New York is all about, right? But Kyra does care, and so does Carmen, whom Malik has dubbed the Queen of Harlem—and who turns out to be an imposter herself.
From Jackson (The View From Here, 1996; Walking Through Mirrors, 1998): an intriguing and well-written look at the nature of identity, whatever the color.Pub Date: April 1, 2001
ISBN: 0-385-50295-8
Page Count: 272
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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