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DEAD LINE

Readers surviving the gratuitously glam thrills may well agree with Jack’s demurral: “Not that this has anything to do with...

A storied real-life crime leaps out of yesterday’s headlines to throw Boston Record reporter Jack Flynn (The Nominee, 2002, etc.) and those around him into danger.

Thirteen years after thieves looted the Isabella Stewart Gardner Museum and made off with 11 paintings valued at $30 million (all a matter of historical record so far), government lawyer Hilary Kane, whose fiancé’s pat infidelity has already ruined her day, emerges from an impromptu tryst with Mayor Daniel Harkins with more than a glow. Files she’s accidentally discovered on Harkins’s computer link his son Toby, a notorious mobster, to the heist and to His Honor, who continues to maintain for the record that he hasn’t seen his son in ten years. When Jack, acting on a tip from a shadowy yet famous FBI agent who’s somehow come into possession of the secret, publishes an article that connects the dots, somebody exes out Hilary in record time. Overcome with remorse—perhaps intensified because his main squeeze, New York Times reporter Elizabeth Riggs, has just announced both her pregnancy and her departure from his life—Jack vows to get the whole story, even though (a) his best lead, Hilary’s grief-stricken sister Maggie, wants nothing to do with him, and (b) the whole story is pretty obvious already. Fortified by his heroic determination, Jack steps out of his Clark Kent job into a hyperspace most closely associated with James Bond, rich in pointless side trips to the Eternal City and the City of Light and with dead lovelies replaced like soiled dinner plates by spare lovelies, all adorned with similes as well-worn, as Jack might say, as Dean Martin’s taste for whiskey. It’s all as predictably overscaled, and as synthetically exciting, as a summer movie.

Readers surviving the gratuitously glam thrills may well agree with Jack’s demurral: “Not that this has anything to do with the price of Spam in Kuwait.”

Pub Date: Jan. 2, 2004

ISBN: 0-7434-6366-8

Page Count: 352

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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