A family-centered time-travel adventure with a lot of heart.
This YA novel concludes a time-travel trilogy with a trip back to belle epoque Paris.
High school junior and music nerd Iris Jongler-Jinks has already accidentally used her family’s heirloom cor anglais (an English horn) to send people back to 1907 and 1863. The latter trip, taken by her twin brother, Arky, was supposed to help them find their mother, the missing astrophysicist Dr. Octavia Jongler. But Arky came back empty-handed. Now it’s finally Iris’ turn. When the so-called Horn of Angels begins to play on its own, the mists that flow from it carry her back to Paris in 1894, at the height of the belle epoque. The only problem is that Arky has somehow traveled back with her: “It wasn’t fair. He’d had his time voyage; why did he have to spoil hers?” Luckily, they quickly get wind of a Madame Jongler who performs as a spider woman at the famous Moulin Rouge. They are finally reunited with Octavia, but bringing her back to the present is not so simple. “While a Jongler can use the cor anglais to send a troubled soul to the past,” goes the legend, “the voyager must discover what’s needed from the past on their own.” Stuck in one of the past’s most colorful locales, the twins must find the lesson that they’re all supposed to learn before they can go home—if they even want to go home at all. Meehl’s prose mixes humor with sumptuous period details: “When the out-of-control bicyclist just missed an elderly man in the street, the old man shook his cane at the two-wheeled terrorist and yelled, ‘There should be a law against those damn machines!’ ” The novel features the requisite appearances by period figures like Degas and Toulouse-Lautrec, and fans of the series will enjoy watching Iris excitedly imbibe the culture and music of the City of Light. Though the pace sometimes feels a bit slow, the world is rich enough—and the characters entertaining enough—to carry this tale to a conclusion that should satisfy those who have been with the indefatigable Jongler-Jinkses all along.
A family-centered time-travel adventure with a lot of heart.Pub Date: March 5, 2020
ISBN: 978-0-9857114-2-9
Page Count: 409
Publisher: Twisko Press
Review Posted Online: March 10, 2020
Kirkus Reviews Issue: May 1, 2020
Review Program: Kirkus Indie
A lushly written story with an intriguing heart.
After praying to a Fate for help, Evangeline discovers the dangerous world of magic.
When her father passes away, Evangeline is left with her cold stepmother and kind but distant stepsister, Marisol. Despite inheriting a steady trust in magic, belief in her late mother’s homeland of the mystical North (where fantastical creatures live), and philosophy of hope for the future, her dreams are dashed when Luc, her love, pledges to marry Marisol instead. Evangeline desperately prays to the Prince of Hearts, a dangerous and fickle Fate famed for his heart that is waiting to be revived by his one true love—and his potentially lethal kisses. The bargain they strike sends her on a dark and magical journey throughout the land. The writing style fluctuates from clever and original to overly verbose and often confusing in its jumble of senses. While the pervasive magic and concept of the Fates as a religious system add interest, other fantasy elements are haphazardly incorporated without enough time devoted to building a cohesive world. However, the themes of love, the power of story, family influence, and holding onto belief are well rounded and add depth. The plot contains welcome surprises, and the large cast piques curiosity; readers will wish more time was spent getting to know them. Evangeline has rose-gold hair and, like other main characters, reads as White; there is diversity among the fantasy races in this world.
A lushly written story with an intriguing heart. (map) (Fantasy. 12-16)Pub Date: Sept. 28, 2021
ISBN: 978-1-250-26839-6
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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