An uneven must for fanboys.
In this 23-issue collection produced by a variety of creators (with multimedia material available via app), two of Marvel Comics’ premier superhero teams wrestle for control of a young mutant messiah linked to the infernal Phoenix Force.
As the Avengers track the fiery approach of a nigh-omnipotent cosmic entity known as the Phoenix, they’re surprised to find a matching energy signature already here on Earth, in the X-Men’s island base of Utopia. Years ago, the Phoenix had possessed, corrupted and led to the death of founding X-Men Jean Grey. But feeling he’s matured since his wife’s fatal genocidal turn, Cyclops now plans to harness the Phoenix and restore mutantkind, which had recently been decimated by gone-mad Avenger the Scarlet Witch. The fulcrum of Cyclops’ plan is new pupil Hope Summers, a powerful young mutant with the ability to channel the Phoenix Force. When the Avengers arrive en masse at Utopia, insisting on protective custody for Hope, Cyclops refuses, and the fists, shields, lightning bolts, adamantium claws, repulsor rays and optic blasts fly. The book paints the entire story in broad, workmanlike strokes in 12 straight issues of Avengers vs. X-Men, then punches in texture with six straight issues of AvX:Vs, a series of one-on-one-battle vignettes that roughly follow the main arc’s chronology, featuring standout “How We Roll,” which winningly parodies the whole affair. Ordering the collection by story, not series, would have allowed for a more organic appreciation, as Marvel treads similar ground of morally ambiguous conflict in Civil War (2006). AvX does take an appealing twist, with a handful of X-Men reborn as the Phoenix Five, who rule as benevolent global tyrants. But the Phoenix always goes dark, and the finale marks the apotheosis of Cyclops’ recent trajectory from his stiff and bland original incarnation to flawed and fragile in Morrison’s 2001 New X-Men and, now, to villain, à la Green Lantern in Emerald Twilight (1996). Artist Olivier Copiel, who illustrates a third of the Avengers vs. X-Men issues, stuns with his sleek redesigns of the Phoenix Five X-Men, particularly the avian Cyclops’ Robocop-like visor. The digital material available via Marvel’s Augmented Reality app offer some insider looks, with video creator interviews and animated step-by-step recreations of panels, but it seems underutilized in terms of dynamically connecting the story to the decades of Marvel cannon.
An uneven must for fanboys.Pub Date: April 9, 2013
ISBN: 978-0-7851-6317-6
Page Count: 568
Publisher: Marvel Comics
Review Posted Online: May 3, 2013
Kirkus Reviews Issue: May 15, 2013
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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