An uneven must for fanboys.
In this 23-issue collection produced by a variety of creators (with multimedia material available via app), two of Marvel Comics’ premier superhero teams wrestle for control of a young mutant messiah linked to the infernal Phoenix Force.
As the Avengers track the fiery approach of a nigh-omnipotent cosmic entity known as the Phoenix, they’re surprised to find a matching energy signature already here on Earth, in the X-Men’s island base of Utopia. Years ago, the Phoenix had possessed, corrupted and led to the death of founding X-Men Jean Grey. But feeling he’s matured since his wife’s fatal genocidal turn, Cyclops now plans to harness the Phoenix and restore mutantkind, which had recently been decimated by gone-mad Avenger the Scarlet Witch. The fulcrum of Cyclops’ plan is new pupil Hope Summers, a powerful young mutant with the ability to channel the Phoenix Force. When the Avengers arrive en masse at Utopia, insisting on protective custody for Hope, Cyclops refuses, and the fists, shields, lightning bolts, adamantium claws, repulsor rays and optic blasts fly. The book paints the entire story in broad, workmanlike strokes in 12 straight issues of Avengers vs. X-Men, then punches in texture with six straight issues of AvX:Vs, a series of one-on-one-battle vignettes that roughly follow the main arc’s chronology, featuring standout “How We Roll,” which winningly parodies the whole affair. Ordering the collection by story, not series, would have allowed for a more organic appreciation, as Marvel treads similar ground of morally ambiguous conflict in Civil War (2006). AvX does take an appealing twist, with a handful of X-Men reborn as the Phoenix Five, who rule as benevolent global tyrants. But the Phoenix always goes dark, and the finale marks the apotheosis of Cyclops’ recent trajectory from his stiff and bland original incarnation to flawed and fragile in Morrison’s 2001 New X-Men and, now, to villain, à la Green Lantern in Emerald Twilight (1996). Artist Olivier Copiel, who illustrates a third of the Avengers vs. X-Men issues, stuns with his sleek redesigns of the Phoenix Five X-Men, particularly the avian Cyclops’ Robocop-like visor. The digital material available via Marvel’s Augmented Reality app offer some insider looks, with video creator interviews and animated step-by-step recreations of panels, but it seems underutilized in terms of dynamically connecting the story to the decades of Marvel cannon.
An uneven must for fanboys.Pub Date: April 9, 2013
ISBN: 978-0-7851-6317-6
Page Count: 568
Publisher: Marvel Comics
Review Posted Online: May 3, 2013
Kirkus Reviews Issue: May 15, 2013
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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