Precisely observed characters, keen prose and a sure sense of how we simultaneously complicate and survive our lives make...
The pressures of the examined life reshape priorities and relationships among an expanding and contracting extended family of urban intellectuals.
Morton’s fourth novel (A Window Across the River, 2003, etc.) moves with brisk efficiency among linked subplots concerning respected literary novelist Adam Weller (63, and involved with a much younger woman), his resentful ex Eleanor (a psychologist) and their youngest child, Maud, a lecturer and Ph.D. candidate in philosophy with a history of inchoate commitments and nervous breakdowns. Maud seems to be emerging from her lifelong fragility when she falls for Samir, an Arab-American carpenter whose continuing sorrow over the death of his three-year-old daughter will be gradually assuaged after Maud informs him she’s pregnant. Eleanor, obese and depressed, stubbornly resists the chance for happiness offered by Patrick, who has spent his life as a labor activist, but reserved the energy to pursue her again, even after 40 years. Meanwhile, the wily Adam (a self-justifying careerist whose expressive egotism is reminiscent of more than one Saul Bellow character) sees an opportunity to embellish his reputation when Ruth, widow of eminent novelist (and Adam’s mentor) Isidore Cantor, produces the completed manuscript of her husband’s “unknown” novel, then dies—before anyone but Adam knows of the book’s existence. Abetted by his brazen mistress Thea (employed as an assistant to TV interviewer Charlie Rose), Adam—as usual—thrives. Others around him are less fortunate. Eleanor settles for sublimating her happiness in tending others’ needs. Maud loses one great love, gains another and—paradoxically—acquires a wisdom beyond her elders’ grasp. A philosopher to the core, she assures another afflicted soul (her wheelchair-bound confidant Ralph) that “We must imagine Sisyphus happy”; and, drawing the inevitable conclusion, accepts that “The law of life . . . is striving.”
Precisely observed characters, keen prose and a sure sense of how we simultaneously complicate and survive our lives make this one something special.Pub Date: Sept. 5, 2006
ISBN: 0-15-101192-3
Page Count: 368
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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