A sharp, sad portrait of the vagaries of the literary life. Schiller, the author of four well-received but long out-of- print novels, a tidy, precise, ironic figure, and a man consumed much of his life by the need to pursue the ``perfection of the work,'' has long since given up on any real hope of visibility when a young woman seeks him out. Heather, just 24, is writing her master's thesis on Schiller's slender body of work. Ambitious, blithely self-centered, she views Schiller as a useful crusade, a way of forcing herself onto the academic and publishing scenes. The elderly Schiller, left fragile and exhausted by a series of brushes with mortality, is at first wary of her, bemused by the idea of anyone paying much attention to what he views as a failed career. Her insistent presence also prods he into coming to grips with the guilt and regret he has stored up about his life, including the early death of his wife, and the hectic, unfocused life of Ariel, his middle-aged daughter. Almost inevitably, Schiller finds himself falling in love with the seemingly worshipful Heather, an emotion she encourages, with predictably dire results. Schiller is moved to begin again on a novel long set aside, and Heather imagines that she will be the muse inspiring the creation of his greatest work. Then Schiller has a stroke and, in a series of terse, acerbic scenes, Morton deftly strips away the illusions these characters have spun about their lives. Ariel finds a measure of independence and maturity and, in a nicely rendered interlude, a chance at genuine romance. Heather's lies and manipulations catch up with her, though her exposure does not necessarily alter her behavior. And Schiller, near death, begins to reach some measure of peace. Second-novelist Morton (The Dylanist, 1991) believably anatomizes the yearnings (and furies) that fuel the literary life, and in Schiller he has shaped a sad, wry portrait of the writer as a deluded but decent—and ultimately rather noble—Everyman.
Pub Date: Jan. 1, 1998
ISBN: 0-517-70862-0
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...
Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.
Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.Pub Date: Oct. 13, 2015
ISBN: 978-1-4555-2061-9
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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