Cleary (To Root, to Toot, to Parachute: What Is a Verb?, 2001, etc.) details the ins and outs of prepositions in this fourth entry in his Words Are Categorical series. The rhyming grammar lesson is illustrated this time by newcomer Gable with cartoon-style cats in creative color combinations demonstrating the prepositions, which are printed in bright colors for additional emphasis. The reader sees cats in bed, beside the chair, and in many other locations, including a raft heading toward Mississippi, with more cats going “through the yard of Chris, the hippie.” Cleary also dismisses the outdated rule banning sentences ending in prepositions with a clever rhyme: “Ever since the olden days, there’s been a silly myth / That prepositions aren’t correct to end a sentence with.” His humorous text does a solid but entertaining job of introducing different types of prepositions and formulating a workable definition. Although not as visually appealing as Ruth Heller’s similar series on the parts of speech, this work will be used by teachers in the elementary-school classroom, especially in schools where the others in the series are popular. (Nonfiction. 7-9)
Pub Date: April 1, 2001
ISBN: 1-57505-524-4
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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