While Selznick trusts readers to draw their own conclusions about what is true, he offers rich companionship on the voyage.
In his most complex work to date, Selznick examines the unique realities surrounding love and death.
Seeking knowledge of the world on his 13th birthday, the unnamed narrator sets sail with his friend James (both are assumed White). A storm carries them to the Moon, where James brilliantly defends the night and sleep in a battle with the Sun, because “without dreams, everything dies.” He is crowned king, and the protagonist wonders how he will live without him back on Earth. Twenty-three more chapters reveal dreamlike (nonlinear, often phantasmagorical) fragments of the boys’ relationship, before and after separation/death. Each is introduced by an exquisite, graphite illustration that is preceded by a symmetrical, kaleidoscopic version of the scene: These provide foreshadowing, focus, and an aura of spiritual mystery. Settings involving shattered glass or mysterious forest lights like “the entire world had turned into jewels” further the titular provocation. While the deftly constructed chapters could stand alone, the author plants images—biblical, mythological, scientific, Sendak-ian, and even David Bowie–esque—that shift and reappear: The last view of the apple, served by a dragon, leads the protagonist to ponder a (post-Edenic) life with answers but without wonder. Labyrinths, angels, clocks, butterflies, and clasped hands resurface, prompting contemplation of fear, solace, the fluidity of time, the thrill of connection. How do you find/feel love after death? How do you live with grief?
While Selznick trusts readers to draw their own conclusions about what is true, he offers rich companionship on the voyage. (author's note) (Fiction. 11-adult)Pub Date: Sept. 21, 2021
ISBN: 978-1-338-77724-6
Page Count: 208
Publisher: Scholastic
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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