by Brian Switek ‧ RELEASE DATE: March 5, 2019
Switek belongs to the science-shouldn’t-be-boring school of writing, but readers who can tolerate his steady stream of...
A cheerful popular-science romp through the matter that makes up our skeleton.
Writers on human body parts usually concentrate on the heart, lungs, brain, and reproductive organs. Science writer Switek (My Beloved Brontosaurus: On the Road with Old Bones, New Science, and Our Favorite Dinosaurs, 2013, etc.) leaves the beaten path to deliver a fun explanation of the history, function, and cultural meaning of bone. As the author notes early on, life was squishy for billions of years. Less than 500 million years ago, bone “got its start as rigid plate armor on the outside of a primordial fish, but as the pieces sunk inside they became an interlocking framework that never shifts by itself, yet…allows for the sensational range of motion our species is capable of.” Bone is hard but not too hard. It contains about 30 percent collagen, identical to the connective tissue that makes up our ligaments and tendons. The other 70 percent is a mineral called hydroxyapatite (tooth enamel, much harder, contains more than 90 percent). Switek does his duty by bone science, but his heart is in bone disease and bone culture. The best fossils (human included) contain fractures and cut marks that reveal how the creature lived and perhaps died. Ancient bones regularly turn up as jewelry and building material; converting human skulls to drinking cups and art objects has a long history. The author gives King Richard III’s recently exhumed bones their own chapter. In the 19th century, collectors assembled thousands of skulls and expressed confidence that they revealed the essence of race, character, and intelligence. It’s unlikely that most readers believe they were right, but the author goes to great length to show that they weren’t.
Switek belongs to the science-shouldn’t-be-boring school of writing, but readers who can tolerate his steady stream of whimsy, jokes, and drollery will receive a painless, mostly illuminating education on his subject.Pub Date: March 5, 2019
ISBN: 978-0-399-18490-1
Page Count: 288
Publisher: Riverhead
Review Posted Online: Dec. 29, 2018
Kirkus Reviews Issue: Feb. 1, 2019
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by Brian Switek
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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