Though set in an alternate universe, Collins' fictional world rings very true.
Collins’ dystopian novel is set in an alternate England at the dawn of the Industrial Revolution.
In the absence of specific dates, this novel suggests its period with various clues: small farms, no plumbing, gaslight, horse-drawn carriages, factories but no trains. The backdrop is a Crusade that, indeterminate decades ago, caused books to be, if not entirely forbidden, then tightly regulated and socially taboo. Emmett is sent by his farmer parents to be apprenticed to an elderly Bookbinder named Seredith, who practices her craft in an isolated house near a marsh. Recently, Emmett suffered an illness which marked him as unfit for anything but binding, which, he rapidly learns, means more than handcrafting books. Customers come to Seredith to have their memories wiped of disturbing experiences through confessions she then enshrines in beautifully bound books and locks up. One such patron/patient is Lucian, a young gentleman who will figure—or has figured; we won’t know until later—significantly in Emmett’s life. There is a brisk underground trade in true bindings, as opposed to mere novels, and unscrupulous binders exploit this market. Among them is Mr. de Havilland, Seredith’s son, who, after her suspicious death, appropriates her stock of secret bindings, which, like loaded guns, will make explosive appearances later. He also takes charge of Emmett. The middle section, in which Emmett is back on the farm with his parents and his sister, Alta, is a flashback in which we learn the source of Emmett’s ailment and also more about the peasant culture that seems to hearken back to Britain’s pre-Christian age. Except for the fact that a corrupt binder’s wares play a role, the concluding section, told from Lucian’s point of view, presents a mostly fact-based dystopia of Victorian aristocracy and its excesses. The worldview of this novel is bleak, but readers will not fail to appreciate the many sly analogies to the true-story–obsessed publishing world of today.
Though set in an alternate universe, Collins' fictional world rings very true.Pub Date: April 16, 2019
ISBN: 978-0-06-283809-4
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
SEEN & HEARD
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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