Despite a tendency to dwell on emotional explanations, Foley delivers a compelling tale.
A debut novel that uses the world of dreams to upend the life of an otherwise ordinary housewife.
Since Rose was 6 years old she has dreamed every night of the same place: a magical island on which the only other person is a boy named Hugo. In her dreams, Hugo and Rose grow into adults at the same rate that Rose grows in real life, but everything else on the island stays much the same, and they adventure blissfully together each time she sleeps. But by the time Rose is a mother with three small children and a surgeon husband who is rarely home, she starts to resent her waking life. On the island, she's still svelte, energetic, and happy—her best self. At home, she's overweight, overworked, and overtired. On a particularly rough day, when nothing is going well, she chances upon Hugo in the real world. Like Rose, this version of Hugo bears the markings of real life—he is older, paunchy, and has glasses. But Rose knows it’s him and soon he knows it’s her, as well. The two discover that the dreams have been shared all along. A more pastoral-minded author might take this twist in its obvious, romantic direction, but Foley makes it clear that there will be no easy way out of this surprising clash of lives; both Rose’s dreams and her waking life take on dark, unsettling elements. None of the adults in this book—Hugo, Rose, or Rose’s husband, Josh—behave particularly thoughtfully or well, which contributes high drama but makes them difficult to root for. Rose, especially, is a character that things happen to, even on the island, and her lack of agency is frustrating. But the island itself is a strikingly believable dreamscape, and the passages that take place there have a satisfying flavor.
Despite a tendency to dwell on emotional explanations, Foley delivers a compelling tale.Pub Date: May 5, 2015
ISBN: 978-1-250-05579-8
Page Count: 352
Publisher: St. Martin's
Review Posted Online: March 4, 2015
Kirkus Reviews Issue: March 15, 2015
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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