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WHO WANTS TO BE A PIRATE?

WHAT IT WAS REALLY LIKE IN THE GOLDEN AGE OF PIRACY

Anemic fare for would-be buccaneers.

Avast! There’s more to a real pirate’s life than plunder and parties.

As in Who Wants To Be A Princess? (2017, illustrated by Migy), Heos contrasts romance with reality—but not in any particularly perceptive, or even accurate, way. Addressing readers whose idea of “pirate” starts and ends with the likes of Capt. Hook or Jack Sparrow, the equally fictional Capt. Parrot (a white human with a diverse crew) does present pirate food as wormy in good times and boiled boots in bad, and gives redolent new meaning to the term “poop deck” thanks to the livestock on board. But aside from drinking punch and having food fights, he barely alludes to actual piratical behavior or history. Duncan is no better, as he shows a cartoon crew firing anachronistic breech-loading cannons and then contradicting the narrative claim that victims are thrown overboard by providing them a boat and supplies. He also depicts a carpenter “surgeon” flourishing but not using a faintly discolored saw, leaves the captured captain being bundled aboard a paddy wagon rather than hanged, and offers a final view of an apparently uninhabited pirate ship sailing along. An afterword on the Golden Age of Piracy, capped by a bibliography, at least points to piracy’s less savory side.

Anemic fare for would-be buccaneers. (Picture book. 6-8)

Pub Date: Nov. 26, 2019

ISBN: 978-0-8050-9770-2

Page Count: 32

Publisher: Henry Holt

Review Posted Online: Aug. 25, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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QUEENIE

ONE ELEPHANT'S STORY

Sad indeed, but a little bland—though less traumatic in the telling than the stories of Jumbo or the Faithful Elephants...

In this true tale of an elephant that crushed a keeper after peacefully giving zoo visitors rides for nearly 40 years, Fenton tones the drama down to near nonexistence (for better or worse).

Arriving at the Melbourne Zoo as a youngster, Queenie began giving rides in 1905. She became such a fixture that children wrote her letters, her birthday was celebrated each year, and she even marched in the Centenary Floral Parade in 1934. After creating an endearing but not anthropomorphic portrait of her pachyderm protagonist, the author, warning that “Queenie’s story has a sad ending,” goes on to explain that even though the 1944 killing might have been just an accident, “the gentle Indian elephant was put to sleep.” Furthermore, she was never replaced; the elephants in today’s zoo occupy a habitat where they can “do just what elephants like to do.” Neither the incident itself nor Queenie’s end are specifically described or depicted, and Gouldthorpe’s illustrations, which look like old, hand-tinted photographs, put a nostalgic distance between viewers and events.

Sad indeed, but a little bland—though less traumatic in the telling than the stories of Jumbo or the Faithful Elephants (1988) killed at the Tokyo Zoo. (Informational picture book. 6-8)

Pub Date: June 11, 2013

ISBN: 978-0-7636-6375-9

Page Count: 25

Publisher: Candlewick

Review Posted Online: April 30, 2013

Kirkus Reviews Issue: May 15, 2013

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ALEXANDER HAMILTON

A PLAN FOR AMERICA

Solid, if not revolutionary.

Albee and Ko take their shot at an early-reader biography about Alexander Hamilton.

Emergent readers (and their caregivers) familiar with Lin-Manuel Miranda’s hit musical Hamilton will be rewarded with what amounts to an illustrated highlights reel of the founding father’s life. Albee opens in medias res by describing Hamilton as “a soldier, a lawyer, and a financial wizard,” before the spare text quickly brings readers to Hamilton’s Caribbean childhood, noting his father’s abandonment, his mother’s death, and his determined rise from poverty. He’s presented as a trusted adviser to George Washington and rival to Thomas Jefferson and Aaron Burr, with Ko’s accompanying digital art depicting him with a smiling man on horseback (Washington), while on the facing page, the two other men scowl. A later spread notes major differences between Jefferson and Hamilton, including acknowledgment that Jefferson enslaved people while “Hamilton was against slavery,” but Washington’s slave-owner status isn’t named, nor is the American Revolution’s impact on Indigenous peoples. Personal milestones, such as marriage to Eliza Schuyler, are noted alongside references to his involvement in the war and his work with the nascent American government. While his death occurs on the page, strategies to keep the text within the comprehension of its audience risk undermining other historical content by omitting such terms as “revolution” and the Federalist Papers (though they do appear in backmatter).

Solid, if not revolutionary. (Early reader/biography. 6-8)

Pub Date: May 1, 2018

ISBN: 978-0-06-243291-9

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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