Uplifting and perspective-bestowing.
This is the story of Sam and Agu, two friends and wannabe pirates whose imaginations turn a knobbly tree in the hills into a pirate ship, with a rope serving as an anchor and a white sheet as a sail.
At first, Sam, a girl with pale skin and straight, black hair, is all alone playing captain in her imaginary ship, but she is soon joined by Agu, a young boy who has freshly arrived from Nigeria. She ignores his approach at first and is reluctant to have him onboard “her” ship given that she doesn’t know him and that he is not “from her street.” She is quick, however, to take interest in his foreign origin and, above all, his knowledge of boats, being that he was actually onboard a real ship, sailing over a real ocean, traveling out of Nigeria. The pair strikes up and cherishes an unlikely friendship, embarking on all sorts of adventures—battling imaginary storms and fighting other make-believe pirates...all before dinnertime. The book, albeit with a somewhat naïve and oversimplified plot, is a tribute to friendships built between protagonists of diverse origins yet with shared interests in common. Uncomplicated and colorful illustrations on two-page spreads do justice to a simple yet inspiring narrative, visually incorporating elements of their creative play.
Uplifting and perspective-bestowing. (Picture book. 5-8)Pub Date: Sept. 3, 2019
ISBN: 978-1-911373-87-2
Page Count: 32
Publisher: Lantana
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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