A valuable social history of Vienna’s netherworld and an attempt at explaining Hitler’s anti-Semitism. Most biographies of Hitler will, of course, spend some time on his contested family history, often an expression of how deeply Freud has penetrated the craft of biography. Yet the time Hitler spent in Vienna as a down-and-out painter may have contributed more to his character than previously assumed. At least, this is the thesis that historian Hamann (The Reluctant Empress: A Biography of Empress Elisabeth of Austria, not reviewed) brings to life here. Hitler was 17 when he first arrived in the Austrian-Hungarian capital in 1906 with aspirations of becoming an artist. Hamann is sometimes overly detailed; for example, we are informed that in 1906 Vienna there were 176 arc lamps providing electrical light, 657,625 incandescent lamps, 354 automobile accidents, 997 hansom cabs drawn by two horses, 1,1754 one-horse carriages, and 1,101 cabs, which altogether caused 982 accidents. Hitler, though, is never overwhelmed in this profusion of detail; instead we get a meticulous portrait of everyday life in the artistically and philosophically modernist metropolis. That everyday life was not modernist at all, but materialistic, anti-Semitic, petit-bourgeois, and petty. As the most multinational of the European empires, Austria-Hungary was obsessed with concepts of “nation,” “race,” “degeneracy,” and “Jewish modernism”; obsessions that soon became Hitler’s own. Acknowledging the problem of sources, Hamann has hit upon a working—but not unproblematic’solution: liberally sprinkled through the text are italicized excerpts from Hitler’s monologues, speeches and writings. Hitler revealed that “for me this was a time of the greatest spiritual upheaval I ever had to go through. I had ceased to be a weak-kneed cosmopolitan and became an anti-Semite,” and more ominously, “the visual instruction of the Viennese streets had performed invaluable services.” Hamann concludes that Vienna’s fin-de-siäcle malaise was a critical ingredient in the madness that became Nazi Germany.
Pub Date: Feb. 1, 1999
ISBN: 0-19-512537-1
Page Count: 452
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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