A unique perspective on the Wagners, centered on the clan’s most controversial member and most tumultuous period.
Austrian historian Hamann (Hitler’s Vienna, 1999) tells the story of a British-born woman who married into Germany’s legendary musical family and befriended the leader of the Third Reich.
Orphaned in 1899, before she turned two, Winifred Williams in 1907 went to live in Germany with the Klindworths, an elderly couple distantly related to her mother. Karl Klindworth, who had studied with Liszt and was friendly with his daughter Cosima, Richard Wagner’s widow, introduced Winifred to the inner circles of the German music scene. At 17, the striking young woman charmed 45-year-old Siegfried Wagner, Cosima’s only son and director of the Bayreuth Festival, the annual staging of the patriarch’s operas. Their marriage made headlines, since Britain and Germany were at war, and Winifred would remain at the heart of a family and country in conflict for decades. The Wagners’ opinions were newsworthy, and in 1923, Siegfried and Winifred both vocally supported a charismatic young politician named Adolf Hitler. Winifred’s bond with the Führer would give her immense satisfaction and worldwide infamy in the years to come. Hamann diligently explores this naïve young woman’s slow seduction by wealth and power. At Bayreuth, tough, strong-willed Winifred handled the business end while her husband concentrated on the artistic side. Her power and confidence rose, and when Siegfried died in 1930, 33-year-old Winifred became head of the family enterprise. Each of the many times the festival was in financial jeopardy, she turned to her famous friend Hitler for support. When events in Germany took a turn grimmer than anything in the Ring, Winifred could do little more than carefully use her influence to rescue friends at risk of persecution, or worse. Providing a complete and thorough portrait of Winifred, Hamann shows how the Wagner legacy became enmeshed in Hitler’s propaganda machine.
A unique perspective on the Wagners, centered on the clan’s most controversial member and most tumultuous period.Pub Date: Dec. 4, 2006
ISBN: 0-15-101308-X
Page Count: 592
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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