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DON'T SAY ANYTHING TO ANYBODY

A GERMAN WORLD WAR II GIRLHOOD

An affecting portrayal of youthfulness stained by war.

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A woman chronicles her childhood in Germany during and after World War II in this debut memoir. 

When the Nazis invaded Poland in 1939, the members of Yearman’s family knew their lives in Germany would be transformed. Two years later, their town, Kiel, would be regularly bombed by British warplanes. In 1941, the author’s father explained to her that he had no choice but to send her away temporarily—all children between the ages of 6 and 10 living near military targets were compelled to relocate to the countryside. Yearman was sent to Seidel, a small farming village 300 miles east, and she was taken in by Anna Arndt, a kind woman who lived with her parents. The author was 6, attending school for the first time, and was fortunate to avoid the fate of so many of the era’s displaced children, who were exploited for free labor. Yearman’s temporary arrangement became a long-term one, and she fled Seidel with her new family in 1945 to avoid invading Soviet troops, briefly settling in Swinemunde, a Russian-occupied territory that was relatively stable. It was dangerous for her custodians to amble about freely because of the hostile Soviet forces. So Yearman spent much of her time scavenging for their food (“In general, the Russian soldiers had the decency to leave children alone”). The family eventually returned to Seidel, but it was now technically a Polish territory under Soviet rule and became too perilous. Warned by a Russian soldier of German descent of an imminent raid, they fled yet again. In her engrossing book (written with debut author Hanisch), Yearman recalls that she would not return to her father until she was 11, with her mother now dead from diphtheria. The prose artfully combines an unflinchingly honest account of Yearman’s travails with beautifully poetic descriptions. After she watched a ferry that departed from Swinemunde explode from contact with a mine, she observed the wreckage: “A carcass of a cow. I understood that animals died. I knew that. Then I realized, with clarity, that the people on that ferry had died too, just like the shattered cow floating in the water.” Yearman’s remembrance, which features some family photographs, is poignant, filled with vivid details but unembellished by maudlin sentiment. She allows the genuine power of her autobiographical drama to speak for itself. 

An affecting portrayal of youthfulness stained by war.

Pub Date: June 17, 2017

ISBN: 978-0-692-89121-6

Page Count: 304

Publisher: Third Path Press

Review Posted Online: May 31, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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