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THE LAST OF AUGUST

From the Charlotte Holmes series , Vol. 2

This muddled mystery rests on elaborate machinations with disproportionate motivations, but the emotional odyssey should...

A duo becomes a trio and tries to settle family feuds in this relationship-focused crime caper sequel to A Study in Charlotte (2016).

On school break, white teenagers Charlotte Holmes and Jamie Watson trade Connecticut for the Continent. Raised on the legendary escapades of the original Holmes and Watson, hapless narrator Jamie romanticizes a girl who rejects his affection—à la the works of John Green and Woody Allen—and feels out of his element among the elite. Sober but still scarred by her sexual assault, Charlotte uses the cases of a missing uncle and a poisoned parent to escape to her brother Milo’s high-security Berlin bachelor pad. There, the two gain a partner, August Moriarty—Charlotte’s former tutor, first crush, and alleged homicide victim—whose resurfacing does not fully appease his criminal kin. The forgery subplot, parodied-but-still-pretentious art scene, dark humor, witty dialogue, and action scenes thankfully leaven the relentless relationship drama. Cavallaro expands beyond Doyle’s storylines while still using his characters and their hallmark behaviors, but this second outing somehow feels less original than the series opener. Although characters sometimes skate close to caricature, the young Holmes, Watson, and Moriarty contend with “a metric ton of psychic damage” in a raw and unflinching manner.

This muddled mystery rests on elaborate machinations with disproportionate motivations, but the emotional odyssey should satisfy readers seeking a contemporary, teenage take on the Baker Street pair. (Mystery. 14 & up)

Pub Date: Feb. 14, 2017

ISBN: 978-0-06-239894-9

Page Count: 336

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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