A humorous and thought-provoking tale about searching for the ever elusive brass ring.
A young woman hustles to climb the corporate ladder in this darkly comedic, deeply insightful workplace drama.
Halley Faust will do anything to get promoted to “Level 2” at Findlay Global Manufacturing, Inc. The new job title would result in her relocation to Europe and her escape from the sleepy Midwestern town where she has lived all her life. Longing for these new possibilities, Halley makes a cutthroat decision, betraying an old friend but securing the higher position. With barely a backward glance, she hops on a plane to France, where she and a small team of Findlay employees will spend a year preparing to launch the company’s newest product, the mysterious Tantalus. Unfortunately, even as a Level 2, Halley is the most junior member of the team in Europe, and she quickly finds herself falling into the roles of gopher and scapegoat, much like she had been back in the home office in Ohio. With France failing to live up to her expectations, Halley wonders whether Level 2 is all it was cracked up to be. In fact, she quickly determines that she should invest all her energy in reaching Level 3 status instead. Unfortunately, the co-workers with whom she travels are as conniving and manipulative as she, and she will have to surmount many professional and interpersonal challenges if she hopes to be considered for another promotion. As she plans the launch of this product that she has never actually seen and can’t quite explain, Halley also examines her relationships with her co-workers and begins to question her decisions. Through a fast-paced and accessible prose that is full of both intuitive observations and slapstick, cringeworthy moments, Terwilliger deftly tackles issues ranging from workplace romances and corporate ethics to self-esteem and personal ambition.
A humorous and thought-provoking tale about searching for the ever elusive brass ring.Pub Date: Aug. 28, 2018
ISBN: 978-1-944995-59-1
Page Count: 338
Publisher: Amberjack Publishing
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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