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WHO ARE YOU, CALVIN BLEDSOE?

Unquestionably the funniest novel ever written about Calvinism.

An innocent abroad, all but kidnapped by an aunt he never knew he had, experiences his belated coming-of-age through a series of madcap European escapades.

Command of narrative tone has long been a hallmark of the underheralded Clarke’s (An Arsonist’s Guide to Writers’ Homes in New England, 2007, etc.) fiction, and here he sustains a tightrope balance between the matter-of-fact observations of the titular protagonist and the increasingly outlandish adventures he finds himself in. It’s a little late in the game for Calvin to be coming-of-age, but here he is, on the cusp of 50, divorced from a woman who won’t leave him alone, living in his parents’ home, recently orphaned with the death of his mother. She was the bestselling author of an inspirational book on John Calvin, whose aphorisms provide the novel’s thematic underpinnings. Her only son is one of two bloggers for the international pellet-stove industry; his ex-wife is the other. They often communicate with and about each other through their chatty blogs. His life changes irrevocably when a woman he has never seen before introduces herself at his mother’s funeral as the twin sister of the deceased. Without his knowledge or consent, she somehow procures for him a passport and a trans-Atlantic plane ticket, telling him, “It’s never too late to grow up, Calvin.” Then it’s off to the races, as the plot hurtles across Europe through various manners of deceit, duplicity, mutual betrayals, stolen vehicles, stolen identities, odd nicknames with odder backstories, and climactic revelations concerning Calvin, his mother, his aunt, and his destiny. As an oracular voice intones, “In order to see…you must open your eyes,” the eye-opening discoveries of the narrator provide a mind-bending experience for the reader.

Unquestionably the funniest novel ever written about Calvinism.

Pub Date: Aug. 27, 2019

ISBN: 978-1-61620-821-9

Page Count: 304

Publisher: Algonquin

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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