SWING BRIDGE

The character of a small Tidewater locale in Virginia gradually emerges though the voices of its female residents in Hughes’ short story collection.

The little town of Mobjack sits on the edge of the continent in the Tidewater region of Virginia—the former home of Pocahontas and the current home of a stray Confederate monument, an unlikely prehistoric find, and at least one serial sexual harasser. The people that readers meet in these 10 marvelous stories seem to exist at the edges of their own lives, struggling to get back to more solid ground. The main characters, who are mostly women, tell their tales in first- and third-person narratives. In “Fig-Girl,” a young woman answers a widow’s advertisement for a boarder and shows up in the clothes of the widow’s dead husband. In “Diablo,” named after a foulmouthed parrot, a woman makes a major life decision after removing graffiti from the storefront of a gay couple’s hair salon; meanwhile, the aforementioned Confederate statue is removed from the village green. One is hesitant to offer too much summary of “The Kittiwake,” but here’s a sentence, in which a woman looks around a boat on which her partner has recently died, that simply illustrates how sudden absence changes one’s perceptions: “Jackie’s belongings—her captain’s log, her waders hanging on a hook, her bird-watching binoculars, her Christmas cactus—all seemed flat, like brushstrokes on canvas.” Some American short stories have a quality in which it seems that nearly any sentence would make a great first line, as so it is with these. The pacing is quick but supple, with enough undertow in the details that by the time readers are a few paragraphs deep, they’ll already feel dynamics that roil the waters and pull them in further.

Thoughtful tales that draw readers gently into a more accepting world, leaving a wake of wonder.