An indelible batch of nightmarish tales.
Playing games to conjure spirits and demons leads to horrifying consequences in MacKenzie’s debut short story collection.
In the opening “The Elevator Game,” high schooler Alice tests a Korean urban legend that asserts that pressing a particular sequence of elevator buttons will take a passenger to another dimension. But, as with most of the characters in these tales, Alice isn’t prepared when the activity takes a sinister turn. Each of these eight works feature people playing similar games, such as the popular Bloody Mary myth, which involves repeating the titular woman’s name in a mirror. All supply readers with the requisite rules, and recurring imagery, such as candles and mirrors, appears in many tales. MacKenzie also ties her stories together with profound themes; many of the women characters, for example, suffer from loneliness even when surrounded by friends or family members. Likewise, when characters summon ghosts or demons, the creatures often evoke the summoner’s internal despair, such as a Harvard University grad student’s dark secret in “The Telephone Game.” Some tales include characters that are already well acquainted with the supernatural, such as a girl who lives in a haunted house and a former Wiccan who once had powerful psychic abilities. The author unusually grounds the final tale in realism, asserting that it’s a true account of her teenage years, involving a menacing ghost and a Ouija board. However, the book’s chilling standout is “The Hide-and-Seek Game,” which draws on a Japanese urban legend. In it, a Minneapolis house- and dogsitter plays a game with a creepy, spirit-possessed doll, with predictably unnerving results. Throughout, MacKenzie’s concise prose style generates sharp images; for example, in “Telephone,” which takes place in a pre-smartphone setting, Anna and her friends brace themselves for the scary activity to begin: “Ten flip phones creaked open, and ten thumbs hovered over the green call button, waiting.”
An indelible batch of nightmarish tales.Pub Date: N/A
ISBN: N/A
Page Count: 216
Publisher: Gravestone Press
Review Posted Online: Sept. 22, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Review Program: Kirkus Indie
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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