An earnest but sometimes credulity-straining story of empowerment and community formation.
A teenage girl finds her queer identity in the midst of a family crisis in Skipstone’s novel.
The small town of Clear, Alaska, isn’t the most inviting place to be an openly queer teen. It’s a conservative town where most people think Covid-19 is a hoax, even as local cases increase. Ever since in-person classes have resumed, high school senior Crystal Rose has been having sex dreams about her secret crush Haley Carson, who was once her best friend. Crystal intervenes one day when Haley’s boyfriend, Dylan Whitley, gropes Haley in the school hallway. The moment reinvigorates the girls’ friendship—Haley is impressed with Crystal’s self-possession and artistic abilities—and their relationship starts to blossom into something more. Meanwhile, a new girl arrives at school: Payton Reed, an out lesbian who doesn’t care what anyone thinks about her. When Crystal’s grandparents, who raised her, leave town to visit the hospital—they think they might have Covid-19—Crystal invites Haley to hide out from Dylanat her house. Then Crystal’s parents, whom she’s long believed to be dead, show up in Clear for the first time in 14 years. Along with Haley, Payton, and a few other new friends, Crystal attempts to adjust to the changes in her life while defending herself from those who would destroy her happiness. Skipstone’s prose is urgent and expressive, as when Crystal ruminates over her mother Maya’s alcoholism: “Crystal won’t speak because she’s afraid of what she’ll say. Why couldn’t Maya have entered rehab by herself? Gotten sober and gone back to her parents and kids?” The novel deals with issues of queer identity, domestic violence, sexual abuse, addiction, and neurodiversity, and at times, the plot feels overstuffed with various tensions. In part, this is a result of Skipstone’s decision to set the novel over the course of two days, during which an improbably large number of significant events occur. Although the author’s attempts to speak to a great many issues is admirable, she doesn’t allow enough space in this narrative to give them each the proper amount of emotional weight.
An earnest but sometimes credulity-straining story of empowerment and community formation.Pub Date: May 16, 2021
ISBN: 978-1-73-700642-8
Page Count: 330
Publisher: Skipstone Publishing
Review Posted Online: March 24, 2022
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
