Grim doings, grim humor, and grim wisdom abound in this masterful tale; a book well worth reading.
Good versus evil, the Depression, the Dust Bowl, a vagrant elephant, and a traveling circus— this novel has all that and more: Step right up, folks.
Wright (The Sky Is Far Away, 2019, etc.) has created a superb character in his protagonist, young Hughey Gibson. By the world’s reckoning, Hughey is a naif and a dreamer. Early on, he sees an elephant moseying along the tree line of the Gibson farm (or what’s left of it). A hundred pages later, his improbable vision is vindicated, but his reputation for being a moony innocent still stands. Hughey’s opposite is Jakes McConnell, the epitome of bad company. He talks Hughey into going to the circus, and soon Hughey is accused of being Jakes’ accomplice in a burglary. So now there is no going back to Shelbyville, Missouri. Like it or not, Hughey is now a roustabout. And he does come to like it, especially when he catches the eye of Marlina Sova, the circus girl who rides the elephant. But bad luck and bad company keep dogging him until he is linked to a homicide (Jakes again). Through it all, people either believe in Hughey’s innate innocence or are dumbfounded by him. Wright is a wonderful writer (The elephant “slapped lazily across a crazed and wirehaired shoulder with its pendulous and serpentine trunk”). The big question is: What are readers to make of Hughey? Is he hopelessly naïve or naively hopeful? A subtitle might be The Education of Hughey Gibson, but what he learns seems to be a kind of fatalism and acceptance. Which is hardly surprising. This is a hard world of creepy criminals and corrupt cops, a lesson that over time he reluctantly accepts. As an apt coda, the final chapters feature the mother of all dust storms. Hughey finally “sees the elephant,” as the old idiom goes. Still, as the author skillfully shows, this world needs its Hughey Gibsons. And that turns out to be a terrible indictment of this world.
Grim doings, grim humor, and grim wisdom abound in this masterful tale; a book well worth reading.Pub Date: N/A
ISBN: 978-1-388-19341-6
Page Count: 285
Publisher: Artichoke Press
Review Posted Online: Aug. 21, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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