A startling and eerie second novel by Benderson (Pretending to Say No, 1991, etc.) provides an unvarnished glimpse into a netherworld of drug dealers, transvestites, transsexuals, and prostitutes. When Apollo, a male stripper and hustler who has been doing large quantities of drugs, attacks Casio, the ex-con junkie turned bouncer at the porn theater in which Apollo works, it sends out ripples that reverberate throughout the sleazy world of strip joints and rip-off joints that both men inhabit. Pargero, a cop with a more than sentimental attachment to the transvestite strippers of that milieu and a familial tie to Mrs. Huxton, its unseen empress, begins looking for Apollo. Baby Pop, Casio's 14- year-old son, a math genius who lives in the Port Authority bus terminal, vows revenge. Apollo goes in search of a hiding place, ending up with his only real friend, a nameless white middle-class gay man with AIDS. Swirling around the action are a strange cast of hustlers, lowlifes, and no-hopers—crack addicts, sex addicts, transsexual junkies, and would-be beauticians—held together in a sinister dance of sex, money, drugs, and need. Benderson depicts this sphere in a merciless light, without judgment but unflinchingly, in a prose that is hypnotically descriptive and powerfully rhythmic. He moves easily between the voices of his protagonists, from the sullen suspiciousness of Apollo to the wry self-knowledge of the nameless man with AIDS. The result is a book that echoes the universe of Hubert Selby (who is invoked in one passage) and the teeming sexuality of John Rechy. An impressive book, but one that many readers will find relentlessly unpleasant. Benderson has a tremendous talent and a real feel for the night-world of New York; the question is how much readers can take.
Pub Date: Aug. 15, 1994
ISBN: 0-525-93722-6
Page Count: 272
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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