Although the prose is occasionally dry, this in-depth portrait of Johnson’s life and times will be mighty hard to improve...
Fifty years in the making, a comprehensive biography of the legendary Delta blues singer.
Conforth (African American Folksong and American Cultural Politics: The Lawrence Gellert Story, 2013, etc.), the founding curator of the Rock and Roll Hall of Fame, and blues historian Wardlow (Chasin’ that Devil Music: Searching for the Blues, 1998) waste little time taking on the myths and rumors previous books have promulgated about Robert Johnson (1911-1938). The authors seek to “return him to his human particulars” and reveal the “real story.” In order to do so, they have unearthed a massive amount of primary source materials, much of it reproduced here, and numerous “first-person accounts of who he really was.” They do a fine job of thoughtfully weaving the biographical essentials with portraits of the harsh and impoverished sharecropper’s world of the South in the 1920s and ’30s. Johnson was born in a tiny, ramshackle house near Hazlehurst, Mississippi, “the illegitimate son of two unmarried parents.” He hated farming, preferring to play harmonica and guitar. He grew up hearing cotton-field blues and embraced the music “like a boll weevil did a growing cotton ball.” He lived an itinerant existence, playing in jukes, roadhouses, family homes, and on the streets. He could read and write and drink—a lot—and womanize along the way, all the while perfecting his musical skills and learning from other musicians, like Willie Moore and Son House. Guitar fans will enjoy the detail the authors provide about Johnson’s unique style of playing and their in-depth discussions of his songs as well as their fascinating account of his historic 1936 recording sessions in Texas. The authors also refute the famous myths—e.g., that Johnson sold his soul to the devil at the crossroads and that he was poisoned. He had an ulcer and suffered from “esophageal varices,” which hemorrhaged.
Although the prose is occasionally dry, this in-depth portrait of Johnson’s life and times will be mighty hard to improve upon.Pub Date: June 4, 2019
ISBN: 978-1-64160-094-1
Page Count: 320
Publisher: Chicago Review Press
Review Posted Online: March 24, 2019
Kirkus Reviews Issue: April 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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