A cautionary tale that argues powerfully against handgonnes and their modern descendants.
Second installment in Holsinger’s series starring medieval detective John Gower.
While investigating a grisly mass murder—the bodies of 16 men were dumped in a London sewer—Gower makes the startling discovery that all were, apparently, killed by a recent innovation: a rudimentary rifle known as a “handgonne.” As in the previous volume (A Burnable Book, 2014), the narration occasionally shifts away from Gower to the voices of others whose connections to the central mystery emerge in increments. Stephen Marsh, a blacksmith whose error in tipping a cauldron of molten metal caused his master’s death, has been sentenced to 10 years’ indenture to the master’s widow, Hawisia. Marsh’s skills have attracted the attention of Snell, chief armorer to King Richard. Soon Marsh is crafting handgonnes at night, without Hawisia’s knowledge, or so he thinks. Robert and Margery, disguised as pilgrims, are on the road north, having broken out of jail. (She’s wanted for killing her brutal husband and he for poaching the king’s game.) They may have escaped just in time to avoid the fate of the sewer-bound 16. After happening on a forest splintered by shot, Gower and his best friend, Chaucer, are briefly detained by the Duke of Gloucester. Another massacre occurs: a surprise attack on a busy Calais market with handgonnes—a more unwieldy variant that requires two men to shoot. The killers wear armbands of cloth bearing Gloucester’s heraldry of intertwined swans; similar badges were found on 10 of the London victims. To employ parlance never stooped to by Holsinger, is someone trying to frame Gloucester? One of the chief delights here is the language, which convincingly mimics Chaucerian speech. Exhaustive detail on London infrastructure and the newly forged handgun industry can sometimes stultify compared to the vivid scenes of daily life circa 1386: the endless bribery required to get anything done, the struggles of women high and low, even Gower’s losing battle with what appears to be encroaching macular degeneration.
A cautionary tale that argues powerfully against handgonnes and their modern descendants.Pub Date: April 21, 2015
ISBN: 978-0-06-235645-1
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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