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ON PARCHMENT

ANIMALS, ARCHIVES, AND THE MAKING OF CULTURE FROM HERODOTUS TO THE DIGITAL AGE

An engaging exploration of book history.

A richly detailed and illustrated history of parchment.

A foundational work of Irish literature is the Táin, which records a war between two contending kingdoms sparked by a cattle-rustling raid. It is perhaps ironic that, in Irish legend, the Táin was first written on the skin of a “miraculous cow” once owned by St. Ciarán, a singular instance of “the identification and celebration of a particular animal whose hide becomes the pages of a specific book.” Never mind, writes Holsinger, that the cow was said to have died a natural death in old age while good parchment comes from the skin of younger cattle. (The youngest cattle yield a related material, vellum, whose name is related to veal.) Holsinger examines the long history of the use of animal skins to record literary, historical, and religious moments, citing, for example, the Greek historian Herodotus’ descriptions of the parchment scrolls he encountered while exploring Egypt—though Herodotus himself wrote on papyrus, “the predominant medium of elite writing in the ancient world.” St. Paul, too, wrote on papyrus, but he collected parchment scrolls that he asked the disciple Timothy to bring to him. By Holsinger’s account, St. Augustine of Hippo was being more than metaphorical when he “imagines the heavens as a great membrane book, a firmamentum cloaked by the same pelles (skins) that clothe men after the Fall.” Throughout the text, the author enlists a vast array of sources, ranging from the work of the ancient Egyptians to the modern creations by the American artist Kate Nessler, who draws scenes from nature on vellum and parchment. The processes involved may be off-putting to those who care about animal welfare, but Holsinger also examines efforts to source parchment ethically, avoiding what one activist calls “the inhumane treatment of animals upon whose backs we are literally writing and the sacred texts inscribed on these very skins.”

An engaging exploration of book history.

Pub Date: Feb. 21, 2023

ISBN: 9780300260212

Page Count: 448

Publisher: Yale Univ.

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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