THE SEVENTIES

Forget the bad music, embarrassing clothes, and sleazy sexuality: Schulman (History/Boston Univ.) is here to set the record straight on the disco decade.

After a preface that features an odd encomium of his own work (“It offers a rich, evocative portrait of the United States in the 1970s”), the author settles in to explore his thesis—i.e., “The Seventies transformed American economic and cultural life as much as, if not more than, the revolutions in manners and morals of the 1920s and the 1960s.” He begins with 1968, a year that witnessed assassinations, political unrest, and a surprising surge of support for George Wallace. He offers a devastating assessment of the Nixon presidency, but credits Nixon with the insight to recognize and exploit the shifts of political power taking place in the US (from the old North and Northeast to the new South and West). Schulman also assesses the demographic and intellectual forces that fractured the old “melting pot” consensus and created the now-pervasive notion that diversity is the highest social good. He also chronicles the emergence of the Christian right (“This parallel universe proved surprisingly vast”) and the rise of the New South. Schulman writes compassionately about Jimmy Carter—but recognizes his utter inability to lead the country. And, while he admits Reagan’s unquestioned contributions to the American resurgence, Schulman recognizes that “The Reagan recovery did little for working people.” Throughout the 1970s, Schulman maintains, there was a “southernization of American life” and a decline in social and political activism. The author devotes considerable attention to the popular culture (especially films, TV shows, and music) of the period, but he largely ignores serious literature and the other arts—and he is given to seeing much in little, as when he attributes great cultural importance to Evel Knievel’s farewell tour and to Billie Jean King’s whupping of the feckless Bobby Riggs.

A strongly argued defense of polyester.