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LUCKY BRUCE

A life story that consistently charms with candor and the seasoned wit of a master storyteller who’s certainly been around...

The hilariously juicy memoir of a successful novelist, playwright and screenwriter.

Though the hoopla of his literary career is in repose (“the lights dimming a bit”) Friedman (Three Balconies, 2008) is happy to share the grand ascent of his longstanding writing career. The son of a fashionable father and a pretty, theatergoing mother, the author often lost himself in movies and books, sparking an early fascination with media, a journalism degree and two years at a military magazine while in the Air Force in 1951. Friedman penned a “blatantly autobiographical” first story and boldly submitted it to the New Yorker, which “manicured” the prose and published it. While serving as the executive editor of several male-focused publications in 1954, he met and married model Ginger Howard and started a family. Crafted in just five months, his black-comedy breakout novel Stern was published years later while his marriage cracked. In literary circles, the author fondly remembers befriending Joseph Heller, but it was Mario Puzo who curiously wanted Friedman’s opinion on an organized-crime novel he was “moon-lighting.” In between awkwardly hobnobbing in Los Angeles and schmoozing at Elaine’s celebrity-laden Upper East Side enclave, Friedman hit the jackpot with several hit stage plays (Scuba Duba), box-office smashes (Splash, Stir Crazy) and a role in a Woody Allen movie. Whether inadvertently snubbing Marlene Dietrich, chauffeuring Natalie Wood or fist-fighting with Norman Mailer, there are plenty of stories here to solidify Friedman’s ranking as a supreme satirist. Readers with a taste for sensationalistic old Hollywood will particularly enjoy his not-so-casual namedropping, which serves the memoir’s chatty tone well.

A life story that consistently charms with candor and the seasoned wit of a master storyteller who’s certainly been around the block.

Pub Date: Sept. 15, 2011

ISBN: 9781926845319

Page Count: 276

Publisher: Biblioasis

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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