A leisurely diversion packed with insight and knowing panache.
An affable memoir from the New Yorker cover artist and humorist.
Born in Simcoe, Ontario, in 1935, McCall grew up with five siblings. In this nostalgic account of a creative life, the author begins with vignettes about his childhood and his early enchantment with artists like Norman Rockwell, who was “sui generis, so confoundingly skilled that no artist ever tried to copy him.” A move to postwar Toronto was less picturesque due to an alcoholic mother and absent father, a situation he indelibly describes as a "Grand Guignol of lovelessness and casual cruelty." With potent affection and deadpan candor, McCall chronicles the struggles of his younger self, and his bemusement at ideas he'd once thought were ingenious is charming. Though some passages about family rake over repetitive wounds, the author effectively frames them as spurs toward independence, and the narrative is rich with metaphor and allusion. About retreating into a satirical, autodidactic world as a refuge, he writes, “I could use this creative energy as a bathysphere to explore the deep mysteries of my life hidden below the surface. My vessel bore no relationship to the Good Ship Lollipop….I crept up on truths, spun my wheels, invented detours that led to more detours.” From an ill-fitting apprenticeship in commercial art at an advertising agency to his parents' deaths (both at the age of 49), McCall unfurls his memories with a raconteur's colorful flourishes. His accounts of writing failures, including an attempt at producing a car magazine, meander with enthusiastic detail, and he brings to life the Mad Men–era advertising world via sections on his move to Detroit to write copy for Chevrolet and, later, to New York, where he wrote for Mercedes-Benz. Midcentury automotive buffs will find this history fascinating while others may skim. Only in the final chapter does McCall discuss his work as a cover artist, an affirming feat after years of pushing art to the side. The book includes the author's photos and drawings.
A leisurely diversion packed with insight and knowing panache.Pub Date: Nov. 24, 2020
ISBN: 978-0-698-17899-1
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: Sept. 11, 2020
Kirkus Reviews Issue: Oct. 1, 2020
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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