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THIS LAND WAS MADE FOR YOU AND ME (BUT MOSTLY ME)

BILLIONAIRES IN THE WILD

Lightweight, mostly amusing fare.

A busman’s holiday through the imagined, exaggerated playgrounds of the unconscionably rich.

The subjects of this gorgeously illustrated, drolly written satire are those who combine stratospheric wealth with zero social conscience. As the introduction puts it, “Because it takes more than money and privilege and cronies in all the right places to ransack Nature’s bounty for the private pleasure of the demanding few, a kind of sublime idiocy is needed to obliterate what always was and make out what never existed before.” Though the credits never specify who did what, the art that carries this project is plainly that of McCall, who has some 50 covers of the New Yorker to his credit. Taking second billing is TV host Letterman, whose previous books have generally sprung from bits or trivia on his program. Many of these short chapters could have worked even better as video shorts or as graphic narrative, since the writing generally supports the visuals rather than vice versa.  The acknowledgements credit “Amanda McCall’s indispensable role” in coordinating the project; she is one co-author’s daughter and long worked for the other. What we have here is an entire globe turned into kind of a prefabricated Las Vegas for the superrich, with one famous landmark rechristened the “Taj Me-All,” while other diversions include bison paintball, nude golf and a pyromaniac’s construction of the world’s longest fireplace: “It’s the only domestic hearth in America with its own fire department, on alert 24/7 to monitor the more than sixty blazes simultaneously crackling away day and night.” There’s also a scam that “has…made billions overestimating the intelligence and underestimating the gullibility of the international art scene.” And the Godlandia theme park, where a top attraction “features a mechanical Peeping Tom caveman being shooed away from ogling a naked Eve in the Garden of Eden by a righteous mechanical Adam.”

Lightweight, mostly amusing fare.

Pub Date: Nov. 5, 2013

ISBN: 978-0-399-16368-5

Page Count: 112

Publisher: Blue Rider Press

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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