Smashing debut novel in which screenwriter Bud Wiggin, a Thomas Wolfe for failed screenwriters, seems to be a stand-in for author Wagner—screenwriter of the stupid but successful Scenes from the Class Struggle in Beverly Hills and Nightmare on Elm Street 3. Wiggin never achieves Wagner's modest triumphs, however: his scripts only blacken his standing in the Business. Force Majeure novelizes some high-class short stories about Wiggin that struck loving chords in Hollywood when published earlier: they join here with compelling density into one large arc of characterization as Bud falls from failure to total moral disaster. The episodes trace his horror story from script to floppo script, each chapter giving him one large antagonist to play against: giant studio-exec Joseph Harmon, who seduces Bud in Harmon's white Bentley convertible; aging genius Caitlin Wurth, Hollywood's most dazzling screenwriter, who has mental problems and makes endless, raging phone calls on outdoor phones and at last gives Bud her brilliant screenplay of Henry James's The Wings of the Dove for him to rewrite and sell as his own; Jerry Linley, alias the mystically wise Rav, a con man who grants himself a background as a Holocaust survivor and now believes it—and many other huge rascals. The darkly downbeat climax is intentionally unfilmable (Bud has fellatio with a 10-year-old girl), although Oliver Stone has already optioned Wagner's screenplay of the novel. Despite a lack of rising action and some verbal leaps that never find a foothold, this is superb stuff—the best yet about Hollywood's humiliated lower orders as they grasp at recovery programs or head for high-priced mental farms. Bud is magnificently memorable, his brain in flood with three-act scripts that rival Postcards from the Snake Pit, Miss Lonelyhearts, Sunset Boulevard or Look Homeward, Oscar. Richly done boffo winner.
Pub Date: Aug. 1, 1991
ISBN: 9780743268967
Page Count: 480
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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