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I MET SOMEONE

The ravings of a writer who is either on drugs or off his meds.

A novel of contemporary Hollywood, featuring dozens of real celebrities and a few invented ones.

Nominally the story of a lesbian movie star named Dusty Wilding and the intrigues surrounding her search for her long-lost daughter, this book is in such poor taste, so wildly overwritten, and so apparently unedited that its main use is in a party game where people pass it around and read sentences aloud at random. Perhaps you will get this one. “Embedded in the lining of the net, the Fappening’s birth had been inevitable, yet fate and history had chosen him to summon the lava flow of exposed taboo bodymaps—Jennifer Lawrence’s and lesser cousins’—that verily swamped Old Reality, engulfing the pristine, elitist coastal cities of the lascivious, clay-footed gods of TMZ.” Or maybe this one: “ ‘I don’t know,’ said Tessa. ‘I think I’m kinda over it. He says he wants to take me to Turks and Caikos [sic]. I call it Kikes and Jerkoffs…he has this boat. Or says he has a boat. So far, all I’ve seen are fucking pictures. On Instagram. He takes more pictures of that boat than he does of his dick. Whatever.’ ” Or this: “What really galled him was when she said it was ‘okay’ to want to die for a moral cause and went on to invoke burning nuns as if self-immolation was something everyone should aspire to. In the same breath, he admitted there would be something immensely appealing about watching Cara Delevingne, Kendall and Gigi Hadid set themselves on fire in real time on BuzzFeed.” Wagner (Dead Stars, 2012, etc.) knows enough about Hollywood and its denizens to have written a Bret Easton Ellis–style nasty satire. Maybe that book is buried in here somewhere, under the run-on sentences, the scattershot italics, the tedious and constant namedropping, and the five- and seven-page monologues by minor characters, which inevitably contain more italics, namedropping, and demented writing. All that plus the interweaving of a ludicrous melodramatic plot about mistaken parentage, a sex cult, an organ transplant, suicide, and brain trauma is just more than any reader could possibly bear.

The ravings of a writer who is either on drugs or off his meds.

Pub Date: March 1, 2016

ISBN: 978-0-39915-936-7

Page Count: 384

Publisher: Blue Rider Press

Review Posted Online: Dec. 7, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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