Screenwriter Wagner's second well-done Hollywood novel (Force Majeure, 1991) surveys the mostly sordid L.A. scene from top to bottom, making up for a lack of dramatic focus with lots of hypergossipy vignettes of hustling, deviance, New Age goofiness, and consumer lust—and that's just among the successful. Wagner's bitchy narrative compiles an index of Hollywood types from pathetic wannabes and has-beens to lucky arrivistes and powerbrokers. Their degrees of separation are much lower than you'd expect, forming a daisy-chain of odd relations, with such sites in common as a children-with-AIDS benefit, a New Age seminar, and restaurants where the help is always on the entertainment make. Mostly, though, Wagner's characters speak in manic monologues, and the result is a cacophony of disembodied cellular voices. They include those of the dying wife of a producer, her hot-shot ICM agent-son, a Big Star with a taste for drugs and melodrama, her drug-pushing doctor, and a psychiatrist's son who makes a living cleaning out dead animals from houses. Women sound off in various genres: A producer hoping to remake Pasolini's Teorema pens her memoir † la Julia Phillips; an insane masseuse claims in her manuscript to have conceived the hottest TV shows; a waitress turned porn star commits her aspirations to a diary; and a TV casting director, hoping to be a movie producer, writes letters to her newborn son, blind from birth and rejected by his coke-addled dad. Wagner dips his pen deep in venom for his portraits of truly despicable characters like mega-hit producer Zev Turtletaub, an obnoxious member of the gay elite, who treats his assistant like a sex slave and has little time for his own sister, dying of AIDS. Much smarter than the recent bunch of novels and movies on Hollywood, and much more believable for its very lack of a narrative hook.
Pub Date: July 17, 1996
ISBN: 0-679-41927-6
Page Count: 336
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...
Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.
Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.Pub Date: Oct. 13, 2015
ISBN: 978-1-4555-2061-9
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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