Bleak, beautiful, and incredibly powerful.
A woman, dying of cancer, reflects on her unhappy childhood.
The first novel to be published in English by Chilean author Lloret opens on a sunny morning, but there’s not much light in this lovely yet tragic book. It follows the title character, who is dying of cancer, as she reflects on her singularly unhappy childhood. Nancy was raised by a feckless father and a mother who subjected her and her brother, Pato, to horrific abuse, savagely beating them and telling Nancy things like “I wish you’d been born dead dead dead….Not even Pato came out as big and ugly as you, you little bitch.” Her brother later disappeared outside of a nightclub, leaving Nancy to bear the brunt of her mother’s viciousness. Nancy’s mother eventually abandoned her family, and her father converted to the Church of Jesus Christ of Latter-day Saints; they lived together, almost always on the brink of poverty, at one point resorting to grave robbing to find jewelry to sell. Nancy later married Tim, a man several years her senior, but he had problems of his own; Nancy notes that “rum and Teletrak betting took my husband from me.” Still, she loved him, and was distraught after he was killed in a work accident while drunk. Recalling the long-term trauma that was her childhood, Nancy reflects on the disease that’s quickly killing her: “Knowing you’re going to die is horrible not just because you don’t want to die, but also because there’s always some residual, surviving doubt.” Lloret’s novel is obviously bleak beyond measure, but it’s also quite beautiful thanks to his self-assured and ethereal prose—after Nancy tells Tim that she’s dying, the two “[stare] at each other like divers underwater, sunk in uncertainty.” Lloret employs unusual typography, punctuating the book with a series of bold X’s; the effect is jarring but powerful, reminding the reader of Nancy’s impending fate. This is a gorgeous novel from a writer unafraid to consider the darkness; it’s hard to read but beyond rewarding.
Bleak, beautiful, and incredibly powerful.Pub Date: April 13, 2021
ISBN: 978-1-949641-12-7
Page Count: 156
Publisher: Two Lines Press
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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