A flawed but entertaining occult murder mystery.
In Barry’s third Salem novel, the unsolved murders of three young women continue to roil “Witch City.”
It’s 2014, and Rose Whelan, once a prominent historian specializing in the study of the Salem witch trials, is now an addled bag lady who wanders the streets of Salem, accosting passers-by with dire predictions and obsessing about oak trees, Celtic goddesses, and an avenging spirit called a banshee. When a bad-seed teenager who threatens Rose is killed, seemingly by an unearthly shriek, the townsfolk pressure Salem Police Chief John Rafferty, a recovering alcoholic, to reopen a 25-year-old cold case, the 1989 slayings of three wannabe witches in which Rose was implicated but never charged. Rose had asked several women, descendants of accused witches hanged in 1692, to consecrate, on Halloween, the ground where the bodies of their ancestors had been dumped in a crevasse. The ceremony turned chaotic as three of the women, Olivia, Cheryl, and Susan, were murdered, by an unseen hand, to the accompaniment of a bansheelike shriek. A fourth, Leah, went missing. The only survivors were Rose and Callie, Olivia’s 5-year-old daughter, whom Rose rescued. Raised by nuns elsewhere in Massachusetts, Callie was told that Rose had died. Upon learning that she's alive, she returns to Salem to help her. Told variably from the points of view of Callie, Rafferty, and Rose, the story grows convoluted as the fortunes of two old New England rival families, the Hathornes and the Whitings, intermesh with Rose’s ravings, Callie’s clairvoyance, and Rafferty’s continuing struggle to find the truth while remaining sober. (Tip: when falling off the wagon, avoid absinthe.) Since the ultimate answers are supplied or at least confirmed by Callie’s visions and dreams, one wonders why she couldn’t have divulged these earlier, saving us all from having to turn (eagerly, it must be said) so many pages. The investigation concentrates on what proves to be a major MacGuffin, pulling focus away from the actual culprit, who is hiding in plain sight.
A flawed but entertaining occult murder mystery.Pub Date: Jan. 24, 2017
ISBN: 978-1-101-90560-9
Page Count: 448
Publisher: Crown
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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