A highly readable sophomore effort.
A novice psychotherapist finds unsettling parallels between a patient’s suicide and her mother’s history, in Barry’s second (The Lace Reader, 2008).
Hepzibah (Zee for short) was named after a Hawthorne character by her father, Finch, a professor who’s obsessed with the transcendentalist author. Her mother Maureen committed suicide by taking strychnine, after a long battle with manic-depression, exacerbated by Finch’s closeted homosexuality and his attraction to the man he nicknamed Melville. Maureen had longed for a star-crossed love, and she left behind an unfinished fairy tale about Purveyance, wife of a Salem sea captain, who, with her soul mate, a lowly sailor, escaped her husband’s brutality. (Zee grew up in the historic Salem home that was once Purveyance’s domestic prison.) Now a doctoral candidate in Boston, Zee sees aspects of Maureen in her bipolar patient Lilly, a suburban homemaker. Lilly tells her of Adam, a carpenter, whom she loves desperately, but who now appears to be stalking them both—Zee’s seen him lurking outside her office. With adjusted meds, Lilly improves, but then leaps to her death from a bridge during rush hour. At Lilly’s funeral, Zee spots a man she recognizes from TV news as a distraught eyewitness to Lilly’s death. More personal woes intrude. Finch’s Parkinson’s disease is worsening, he’s now alienated from Melville (his partner since Maureen’s death) and requires full-time care. Zee returns to Salem, and this town of Wicca practitioners, pirate re-enactors and tall ships, like Friendship, a replica of the vessel on which Purveyance fled, reclaims her. Hawk, the stricken eyewitness, is now crewing on the Friendship and, when Zee enrolls in his celestial navigation class, she’s ineffably drawn to him. Soon the pair are making love in Maureen’s room, beneath the same widow’s walk on which the storied lovers once trysted. Although marred by unnecessary “come-to-realize” moments, this woman-in-jeopardy thriller retooled with gothic elements—shifting identities, secrets and portents, a deserted cottage and a missing suicide note—manages to transcend its component clichés.
A highly readable sophomore effort.Pub Date: May 1, 2010
ISBN: 978-0-06-162478-0
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 2, 2011
Kirkus Reviews Issue: April 15, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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