Readers may never look at their cars in quite the same way again.
A magisterial history of the car that surveys the shape of its future.
Former financial news editor and deputy arts editor at the Times of London, Appleyard is a bona fide automobile enthusiast, but in this well-balanced study, he also assays the ills that car culture has wrought. This book is not just a history of the automobile; it is also a vibrant portrait of an age, a stimulating work of scholarship, and a top-notch example of nonfiction storytelling. The combination of the author’s propulsive writing style and journalistic thoroughness makes for compelling reading, particularly the technological, cultural, and aesthetic critiques he brings to bear. Appleyard evaluates the contributions of every significant figure in the evolution of the car, from its beginnings in France and England to today’s promising electric and autonomous vehicle technologies, along with analyses of the ecological and societal costs this new era portends. Because the U.S. dominated the industry for much of its history, two men receive in-depth, and highly revealing, character studies: “Henry Ford was one of the two inventors of the core features of twentieth-century modernity. He invented and refined mass production and thereby created a mass market of consumers; Alfred Sloan at General Motors invented and refined the techniques of marketing to the masses. In their hands cars remade the world.” It is hard to imagine a more complete study of the automobile, albeit with an ominous coda. Appleyard warns that an “autonomous” future for the car, for all its benefits, will be the death knell of the joys of driving—and perhaps more. If we make the wrong choices, certain freedoms could be lost. “The autonomous cars will not in fact be autonomous—they will be driven by the cloud…they will cast off the capricious exigencies of human control and surrender to the demands of government or corporate clouds.”
Readers may never look at their cars in quite the same way again.Pub Date: Sept. 6, 2022
ISBN: 978-1-63936-230-1
Page Count: 320
Publisher: Pegasus
Review Posted Online: June 20, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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