by Bryan Burrough & Chris Tomlinson & Jason Stanford ‧ RELEASE DATE: June 8, 2021
An iconoclastic, romping, bull’s-eye volley at an enduring sacred cow—popular history at its most engaging and insightful.
A zesty, journalistic, half history, half sendup about the battle of the Alamo and the myths that cling to it.
Setting out to distinguish ascertainable fact from Texas tub-thumping, Burrough, Tomlinson, and Stanford, all Texans, succeed brilliantly in their intent. Their focus is the famed 1836 battle for control of San Antonio’s fabled fortress and its role in the mythology of the Lone Star State. In this evenhanded popular history, the authors situate the war for Texas’ independence from Mexico as a fight for the preservation of slavery by Anglo Texans. The fact that Santa Anna and his followers, as well as the Tejanos (Texans of Mexican birth), were “ardently abolitionist” foes of slavery is only one of the book’s many punches to received wisdom. Some of the fort’s famous defenders come off poorly. Jim Bowie was “an amazingly brazen swindler. Had he stayed in the United States, there’s a decent chance he’d have ended up swinging from a rope.” Davy Crockett didn’t die a “glorious death”: “The Alamo’s trapped defenders died for pretty much nothing.” What the authors call the “second battle of the Alamo” has focused not on slavery but on what the events of 1836 do and should mean to Texans. Laying waste to many previous historians of the events, the authors leave readers amused as well as informed. The entertaining story contains multitudes: Disneyland, John Wayne, JFK, LBJ, and, of course, the Bush political dynasty. Since the 1970s, this battle has been joined by American Latinos, whose ancestors are finally gaining their well-deserved recognition in Texas history through “Alamo revisionism”—a direct, important challenge to the “Heroic Anglo Narrative of the Alamo.” Despite a bit too much chattiness and some unnecessary vulgarity, this lively book is sure to cause plenty of interesting conversations in Texas.
An iconoclastic, romping, bull’s-eye volley at an enduring sacred cow—popular history at its most engaging and insightful.Pub Date: June 8, 2021
ISBN: 978-1-984880-09-3
Page Count: 416
Publisher: Penguin Press
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
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SEEN & HEARD
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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